Current Projects
The Completed Herman Miller Project

The Completed Herman Miller Project

My project, Integrated Workstation, which resulted from the Cranbrook and Herman Miller partnership, is ready to be seen. See it in person at ICFF booth #1170.

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Clip Tree Press Information

Clip Tree Press Information

Press Information for Clip Tree's premier at ICFF 2012. Stop by booth #968 to see it in person!

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Quill Light Version 2

Quill Light Version 2

The latest Quill Light prototype is complete. To turn the light on, simply lean the stem forward. To turn it off, lean it back, facing away from the task area.

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Mirror Hooks

Mirror Hooks

Mirror Hooks with chromed aluminum and White Oak or Walnut are now ready to received coats and hats.

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Orbit Light

Orbit Light

The Orbit Light features an 'orbiting' switch that turns the light on and off as it is rotated clock-wise or counter-clockwise around its glass dome.

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1–10 of 13 entries from the month of:

September 2008

Archive for September, 2008

Table Talk

I have begun sketching table ideas. I’d like to use 3-Form’s Varia (in periwinkle!) for the main horizontal component. The fact that this material is semi-transparent gave me an idea for having a ‘floating drawer’ on the inside. The drawer would be a dark brown stain for contrast. The drawer would occupy the center and be flanked by open space on either side. The tricky part is deciding on legs, in both the material that will be used to make them as well as their configuration.

Here I was think about an occasional table.

Then I decided on a writing desk. This changed the leg configuration of the table to allow for human legs.

The rendering above is close to what I am envisioning. The legs would be made of mild steel bar that is 1/4″ thick and 2″ wide. The process would be to weld the shorter perpendicular pieces to the longer ones, grind down the welds and then bend it on a brake where specified. I am going to look into eco-friendly powder coating. Powder coating is so beautiful that I’d hate to give it up completely. I will need to get in touch with a metal shop in town for the welding, grinding and bending.

The 3-Form component will be CNC routered and bonded together with epoxy. I will need to look into eco-friendly epoxy alternatives, if they exist. The finish for the 3-Form panel is called Sandstone, which gives the surface a frosted look and it is very durable. The weight of the assembled 3-Form component is around 36 lbs (2.5 lb/ft2).

Above is how the piece will be cut out from the 3-Form panel.The red stars highlight the left-over material. If I can’t use them, I will send them back to 3-Form.

The drawer I would like to have made by a cabinet maker and for the drawer to have dovetail joints in the back in a nod to traditional joinery and to give the drawer a little more character. The material for the drawer will hopefully be plyboo or similar.

Blu Dot inspiration

I just got back from seeing a couple of the founders of Blu Dot (John Christakos and Maurice Blanks) give a presentation at the Minnesota History Center about the company’s history, methods for designing and developing furniture as well as their branding efforts to date. A point they drove home repeatedly was that effeciency drives their design. Waste of materials is a waste of money. They make sure that each sheet of steel is used completely when cut into parts. If only they didn’t use MDF and partical board, they’d be a very green company. John said that the market will dictate their adopting of greener materials.
Flat packing for shipping and little material waste saves Blu Dot lots of money.
I need to determine an abstract market for this project to detemine the price points for each of the pieces that I’m designing. Trying to minimize waste and making furniture knock down are big factors to consider.

I have had a few exchanges with an artist named Jeff Haddorf about the feasibility of creating porcelain forms from early designs. In addition to the sketches that I have posted already, I sent him the following:

The light is 12” high. The radii are 4” at the the top and bottom and taper to 3” in the middle. The thickness is 1/2” in the middle and thins out to 1/8” at the top and bottom.

I know very little about the process of making porcelain forms. Jeff explained a bit more about the processes that can be used to achieve a translucent quality with the material. He stated that the desire for having an accurate change in thickness would require two molds, one exterior and one interior to be filled with porcelain akin to an injection mold process. This got me thinking more about designing molds and considering limitations in the mold-making process. Perhaps it would be easier to make the lights out of two pieces like this:

The pieces would be held together by the lighting hardware. I could also create different pieces for the lower half which would allow for some variations for the design.

I am not sure whether I can use the plastic rapid prototype machine for creating the molds. It would be really ideal as I could account for the amount the porcelain would shrink when fired by creating a mold that is slightly larger to compensate. Jeff said that porcelain can shrink as much as 15% after being fired. This amount is a known variable when you purchase the porcelain and will be factored into the design.

I look forward to learning more.


Early chair idea

So it seems that ‘utility’ as a considered design factor has popped up in the early pendant light sketches. I’ve been thinking about ways of extending that into the chair design. The first thing that comes to mind is making the chair stack-able (of course I am only making one chair…). The second idea was to make the chair fold-able. I have been going through the image library at architonic.com and have found some pretty good solutions for folding chairs. I have been doing a little work in FormZ to see how pieces swing and pivot around fixed points. I don’t want to reinvent the wheel but would like to come up with a variation of the folding chair. Below is an early example. I can see the material being plyboo, BioFiber Wheat or even 3Form. I’ll know more as the design evolves.

I had sent off another email to the 3-Form rep regarding a couple of questions that I had related to bonding and pricing.

Thanks for the information, Michael. I have a couple more questions about the material. Can two pieces of ecoresin be bonded together (e.g. In the way that acrylic can be bonded together with methylene chloride)?
Also is there a volume discount with Varia?

Yes

Weld On 55 Epoxy is a good bonding compound. There are volume discounts, but not as significant as in the extruded sheet resin world. Varia has a considerable amount of “hand-crafting” required for each sheet. Varia is also a pressed or fused product, which is a longer, smaller volume production process.

Well, unfortunately Maren will not be able to collaborate with me on the porcelain light project. She had stated when we first spoke that she was very busy but thought she might be able to squeeze in another project. But last night she sent me an email stating that she is just too busy to really be involved in a way that she would like. I completely understand. So I am now going to get in touch with a couple of other people who might be able to assist me in my light prototype.

The light itself will be a pendant light. I have included some sketches below (I am still sketching). I have been working out ways to incorporate the electrical cord into the design. Because of variable ceiling heights, you can wind up with a lot of extra cord that needs to be creatively dealt with (unless of course you are having the lights professionally installed). I’ve always thought that the cord brings a nice linear aesthetic to the overall light design. As my designs are evolving, it appears as though the pendant light could also be used as a lamp with a handle. Cord management and additional functionality will bring a nice bit of utility to the design.


My first idea was to create a light that consisted of 2 pieces that are held together with pins or something else. One could swap out the bottom pieces thereby making different lights.

This is where the design changes to focus on cord management.

I think I am pretty close to arriving at design that I will make 3D in the software program FormZ and then print a small Rapid Prototype model. I will present this model to the person who will be working in porcelain as a reference for measurents, thickness, proportion, etc. The plastic which the RP machine uses to make models is probably not environmentally friendly (I will follow up on that). I can possibly use the other RP machine which uses gypsum and sugar water instead. More on that later.

Too rich for my blood

I heard back from a 3-Form representative regarding the cost of a new panel of the wood veneer Varia as well as cutting and forming services that 3-Form offers. This is what he said:

‘The Varia Wood product is a translucent real wood veneer fused inside 3form’s Ecoresin. It is purchased in 4′x8′ sheets and available in gauges ranging from 1/8″ to 1″. Sheets range in cost from $1300 to $2800. Custom fabrication and heat forming cost would depend on the design required but could be anywhere from $1000 to $5000+. There are limitations to the radii as well as the complexity of the curve that the Wood product can be formed to. A custom crate to ship the 3 dimensional formed piece would also be required at approx $500. All pricing FOB. Salt Lake City, UT.’

So assuming that I was making 4 chairs from a panel, it would cost me roughly $3000 per chair not including the legs (~$400 for the material, ~$2000 for cutting and forming and $500 for shipping).

The alternative for me would be to buy a reclaim piece for $100+, shipping costs TBD, and have it cut in town or at MCAD on the CNC router and then heat bent with a heat gun.

Material choice for light

I have often dreamed of incorporating porcelain into a design for something ever since I started designing furniture. I have no experience with it however and figured that I would be dependent on someone’s expertise and skills to satisfy this dream.

I am hoping that the chief material for the light component of my ‘chair, table, light’ triumvirate can be made from it. I had spent some time on mnartists.org looking for artists who use this material. No offense to the many but the person who really stood out to me is a ceramicist named Maren Kloppmann. Her work is really amazing. I sent her an email last week asking if she might be interested in collaborating on a lamp shade/diffuser made of porcelain. We are going to meet at her studio on Wednesday to go over some sketches. I am so excited! I hope this can take off! I’ll post an update with my sketches and what I learned from our meeting. I really need to spend some time thinking about what this material means to the design aesthetically and functionally.

From what I can tell, porcelain is an environmentally friendly material because it is made mostly of clay and has very little by-product other than that which can be used again.

Her page on mnartists: http://www.mnartists.org/work.do?rid=155251

3-Form Varia™, ecoresin™

I have spent some time reading about, and basically drooling over, the products by a company called 3-Form. They specialize in making panels from ecoresin™, which is a co-polyester resin (PETG) with 40% post-industrial recycled content. The panels come in a myriad of colors and designs and come is the following gauges:

Many have materials sandwiched inside of them like woven cotton, grasses and woods. These materials are grown and/or created sustainably. 3-Form also has a reclaim policy whereby they take back used materials and reprocess them and sell them again. Pieces damaged during production are trimmed and sold at a discount as part of their reclaim program.

Their most versatile material is called Varia. Here is a sample of what the material can look like:

3-Form has recently added panels that have very thin wood veneers sandwiched in them. They remain somewhat translucent but look like wood panels otherwise. ecoresin™ can be thermoformed and machined. I could make a ‘bent plywood’ chair without plywood and without have to make a mold (though I might have to create something to slump the material over to give it form). I would really like to buy a panel of this stuff. They also provide fabrication services where they will cut and heat bend you material to spec. It might be outside my budget however. I am still waiting to hear back from a rep about pricing. The choices on the reclaim part of their website is fairly affordable however (a 2′x4′ panel can be had for less that $100). Perhaps I will buy a panel from there if a panel of the wood is too much.

What is great about bringing this material into my process is that any leftover material that I have I can send back to them! This makes them high on the list of possible sources for material.

3-Form’s website: http://www.3-form.com/index.php
Varia: http://www.3-form.com/materials-varia.php
Reclaim: http://www.3-form.com/about-low_impact-reclaim_program.php
Info on PETG: http://en.wikipedia.org/wiki/Polyethylene_terephthalate

Yesterday I paid a visit to North Star Surfaces in Saint Paul to check out the green materials that they carry. They are the exclusive distributor of Plyboo Plywood Products. I was particularly interested in this product but knew they carried other promising products as well. I met with a Product Consultant named James Bluhm who was very knowledgeable about the materials and the processes required to make them. He told me about the following products:

Plyboo:

Plyboo Plywood has many virtues as a building material. Being that it is made out of bamboo, which is a grass and not a type of tree, it is an abundant resource that grows quickly and regrows quickly after being chopped down, making it highly renewable. All parts of the shoot are used to make Plyboo and Plyboo Strand plywood (the latter takes the left overs from the manufacturing process of the former), so there is little waste. It comes in an array of thicknesses from veneers up to 4″. It also comes in an assortment of stains. The thicker stuff is bonded with environmentally-friendly adhesives.

Dakota Burl, BioFiber Wheat and PaperStone:

Dakota Burl is made in Minnesota from sunflower hulls which, like bamboo, is a rapidly renewable resource. This material comes in an array of thicknesses (1/2″, 3/4″ and 1″ though there is now veneer), does not contain any off-gassing solvents like formaldehyde and releases no VOC’s (Volatile organic compounds) like MDF does. It can be machined, stained and varnished.

BioFiber Wheat is also made in Minnesota and is made from wheat-straw which, you guessed it, is a rapidly renewable resource. Its virtues then are the same as Dakota Burl.

PaperStone is made from recycled post-consumer paper and cashew nut oil resin. It felt like a really dense plastic. It is made by layering numerous sheets of paper with cashew nut oil resin as a bonding element and applying a frightening amount of pressure on it so that the sheets basically fuse together. It is formaldehyde-free and does not release VOC’s either. It comes in thicknesses of 3/4″, 1″ and 1.25″ and is highly machineable (though you’d probably blow through a few router bits).

James said that he would be more than happy to supply me with cast-offs or scraps at a discount if he could. This in a sense would be helping to cut down on waste in another area that would be overlooked in a typical process.